Category Archives: Portraits

Catching up with collages posted elsewhere.

With more apologies to my Facebook friends who’ve probably seen these before, I want to post some collages I produced during a zoom-based workshop with Rotem Amizur, a fabulous Israeli artist. Key tasks included painting two contrasting layers of acrylic paint on each of a large stack of paper; selecting three or four sets of lighter and darker papers to represent light and shadow in different areas of the reference photo; and then cutting and arranging pieces of those papers to interpret the reference image in a collage. Here are two sets of paper selections I used in a couple of exercises:

Rotem had us select a couple of ‘old master’ paintings to use as our references. I started with a portrait of Matisse, followed by his portrait of his wife. I did one of Matisse and then a number of variations of Mrs. Matisse, some looking at the reference image or an earlier collage and others relying on just my memory of what Mrs. Matisse looked like. It was fun to get wilder and more abstract with each iteration, as we had to come up with a focal theme that didn’t duplicate an earlier collage.

And here are a few progress shots, showing the method of pinning the paper pieces, which were glued to each other in the final stage.

This was an exceedingly fun and challenging workshop — so good that I took a second one from Rotem a few months later. See the next post!

Love and Loss

A dear friend recently commissioned me to make a portrait on my iPad of her friend and her dying spouse. It was a challenge to capture the obvious love and tenderness of the woman and her husband. Despite my hesitation to share such a private moment, I’ve been encouraged to post it, as it may be touch others in a good way.

Goodbyes near the end.

More Pandemic Art ~~ a challenging composite of personal memories.

Over the last six months, I’ve been zoom-studying with artists otherwise out of reach. Here’s the final project of a recent class with Ed Praybe — a composite of several separate images arranged into relatively natural composition. It is based on an image of my mother Annette, taken in her twenties, a photo of my six sisters and me, taken years later as a reference for a group portrait lost in Hurricane Katrina; and several photos of our Biloxi home, also later destroyed by Katrina.

To make it work, I had to adjust the relative scales of the elements and imagine a consistent light source across the whole scene. . .

The final image:

Composite of family home, mother, and sisters. Watercolor on Paper. 14 x 11.

The 4 images that provided the underpinnings of the composition:

Some Scary Selfies

Took an online workshop recently from Zoey Frank ~~ ‘self-portraits from observation’. It was weeks long – with almost 300 students (critiqued by five or six assistants). I didn’t get around to finishing the one self-portrait I started – just made a couple of smaller studies . . . before giving up in boredom at my composition.

I’m now taking a watercolor class with Ed Praybe. He tasked us with doing THREE monochromatic self-portraits during one week – facing front & diagonally to each side. Under the short and specific deadline, I produced these three. Warning – it’s impossible to smile AND paint simultaneously, but . . . here they are anyway.

New Facebook Challenge ~ 10 Paintings in 10 Days ~~ per friend Kathy Stowe

Ooof! I did one of these challenges not long ago, but here goes! Day 1 of my mission to share something from my art, my studio, or my life for ten consecutive days, no explanation needed, and nominate someone to do the same. I nominate Penny Smith to share some of her beautiful artwork and carry on the call. The idea is to promote positivity and bring art into each other’s lives.

Here’s what’s on my easel at the moment — inching toward a dual portrait of my deceased brother-in-law Albert ‘Terp’ Ward, and his widow, Donna Garnett.

Double Portrait – 2d session
Initial drawing, using Catherine Kehoe’s method of building a web of intersecting lines until features emerge.

A Past Start Destined to Remain Unfinished. Dad on the 4th, 2010.

In the last post, I included a photo I took of Dad during our July 4th party in 2010.  I have always treasured that shot.  Back in 2014, when I was beginning to experiment with gouache, I decided to hazard a rendering of the fuzzy image.  I got it to this stage in my first session and put it aside for further work.  I have never had the nerve to do more on it because I was afraid of messing it up or not doing Dad justice.  I’m now declaring it ‘officially unfinished’.  It’s not gonna be changing.  I like it ‘as is’, shortcomings and all.

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Painting Without Pressure

Over the last few weeks I’ve been working on portraits of my three grandchildren — a task much less ‘fraught’ than the commissioned portrait I showed you last time.  Here’s the one that’s farthest along, after about eight hours of work.  I see lots of ‘issues’ still to be resolved, but it’s in a much better place than the other one ever reached.  Can’t wait to see how it turns out!

Four Months. Oil on Linen. 9 x 12. 2018.

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Performance Anxiety in a Portrait Painter!

I spent a helluva lot of hours on this grandmother/grandson portrait.  It took me over a year and a half(!!) — though most of that time was spent dreading painting, rather than putting brush to linen.  It was commissioned by a friend and based on her photos from years earlier, rather than observation — never a great thing.

Grandmother and grandson, with hydrangeas. Oil on linen.

My next post will show a portrait that I did in a weekend  ~~ things work (and look) much better without anxiety!

Doodles While Traveling

We flew to California for Christmas this year and, as usual, I occupied myself at the airports and in-air by some iPad doodling.  Thought it would be fun to share some of those from this and earlier flights with you.

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Latest Works ~~ Most Special Dad

It’s football season and while watching games with my husband I often doodle on the iPad. I’m making some pictures to sell as prints during an exhibit this January. Here’s one that’s more personal, in honor of my Dad who passed away in August 2016. It includes comments from his last few weeks of life.

R.I.P. Original iPad art. 4×5 aspect ratio. 2017

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