Tag Archives: farmer

Touring and Painting a Cuban Tobacco Farm

For the next cultural-artistic adventure, we bused to nearby Vinales town and hiked to a small tobacco farm out on the valley floor.

The tobacco farm set against pasters.

Our first glimpse of the farm.

The farmer's wife brews coffee for our group

The farmer’s wife brews coffee.

In the thatched kitchen — an outbuilding, so as to minimize the risk of fire — we enjoyed a complimentary coffee brewed by the farmer’s wife from beans grown and roasted by the family.

As we sat around with some of the best coffee we’ve ever had, her husband demonstrated his cigar-rolling technique. It was interesting to learn that each farm family uses its own secret recipe to ferment its 10% share of the annual tobacco crop.

We were able to persuade the farmer to move his table outside and demo his technique again — this time, we painted. Another wonderful local subject!

The farmer poses for the painters.

The farmer turns model for the afternoon.

I was grateful to snag a small chair and a sliver of shade for our painting session. Here’s the watercolor I made.

the tobacco farmer poses for us in his yard

The tobacco farmer with background bull.

A Second Stab at Capturing Our Worthy Cuban Model

Not happy with my first gouache effort of the day, I decided to try another – this time, a profile of the farmer’s head. He wasn’t sporting his cigar at the time I did my sketch, but then again, my sketch didn’t merit a cigar. After my piece, see a photo of the real deal.

The farmer's profile

My take on the farmer's profile

Our courtly farmer, in the flesh.

The farmer makes posing a bit more bearable by chewing a cigar.

Our model, with Cuban hat and cigar.

First Morning in Cuba: Painting the ‘Bull Boy’

No disrespect intended! Walt Bartman had promised us a cowboy and his horse. What we got was a grizzled, droll, and patient farmer . . . and his bull. Of course, both were way more fun to paint than a horse and cowboy would have been.

A Farmer and His Bull Pose for our Group

Walt, painting the 'bull boy'

My perspective on the bull and rider.

From My Perspective

This was my vantage point.

And my gouache sketch. It’s not great — I spent most of my time watching Walt’s gouache techniques, trying to learn more about this unfamiliar medium.

A Pretty Pathetic Gouache, if I DO Say so Myself

Oh well . . .

A word about the gouache: Walt had encouraged us to use this easy-to-tote medium, rather than haul oil painting gear all over Cuba. This was good advice in view of the strict weight limit and our plan to bring giveaway items. But NOT so good for painting quality, in my case anyway. I’ll brief you ‘later’ on the painful months spent acquainting myself with gouache in advance of our trip.