Resting at the Portrait Gallery. Oil on Linen.
During a recent visit to the National Portrait Gallery, I saw two marvelous women, each sitting in one of the deep window seats that back up to the courtyard. I decided to be bold and ask if I could take their pictures for painting purposes. To my delight, each agreed. Here’s the first – a petite little lady perched on the long cushion, resting her feet. Another palette knife attempt.
Cousins, engrossed in an iPad. Oil on Linen.
I fell in love with a darling photo of two cousins (my grand-niece & -nephew, if I’ve calculated that right), huddled around an iPad. I knew I had to make a painting out of it. Have been trying to learn how to paint with a palette knife. This is one of my first attempts.
The wonderful DC-area Writers Center regularly hosts art exhibits in its large space, featuring the works of local artists. Ten of my paintings will be included in the next show, scheduled to open in late June. This exhibit is organized around the works of those who have painted with Gonzalo Navarro, a fellow teacher at the Yellow Barn Studio in Glen Echo, MD. I have enjoyed Gonzalo’s teaching expertise — it’s always good to practice skills under the tutelage of an expert in portraiture and figurative painting. It’s great to have Gonzalo at the Yellow Barn, as well as Maud Taber-Thomas, supplementing the excellent portraiture teaching of Gavin Glakas.
Here is one of the paintings I’ll show in the upcoming exhibit. More to follow.
Pensive Ballerina. Oil on Arches Oil Paper.
I recently studied portrait painting with Bill Schneider. After he did a wonderful demo, Bill had us emulate Nicholai Fechin’s gorgeous ‘broken color’ style, by copying (on a larger scale, so we could practice our facial measuring skills) some Fechin portraits.
Fechin’s portrait (L) and my copy. oil on canvas.
First I copied one of Fechin’s beautiful women. And then this precious child.
Fechin’s portrait (L) & my copy. oil on canvas.
The next day we painted from a live model, attempting to apply the broken color method on our own. Quite a difference in beauty, eh? (Just keeping it real!)
Working toward Fechin’s ‘broken color’ in painting from life. oil on Arches oil paper.
I ended the weekend workshop with lots to practice and mull. Thanks, Bill!
We have had a peaceful and joyous day. And it isn’t over yet. But while there’s a quiet moment, I want to reach out beyond our home and send love and hugs to you and yours. Here is an iPad image I painted, based on a stone carving on a Capitol Hill church. I had it made into Christmas cards, but since they haven’t gone out yet, I’ll post it here, with my very best wishes for the season and 2014.
Before Ingrid & Jeremiah’s wedding recedes into fond memories, I wanted to paint a tangible memento, based on a photo taken by my niece Tess (Jeremiah’s sister). Actually, a number of photos of the beautiful flower girls captured my artist’s fancy. Here’s the first one I tackled. Maybe there will be more.
Wedding Flowers. Oil on Paper.
Shall I nap or shall I paint?? Yesterday’s question. I’m so glad I decided to paint. My first foray into painting with oils on paper — a new paper specially formulated by Arches to stand up to oil paints, both thin and thick. Click here for a description of the new paper.
Post-show doldrums are a great time to share insights from prior workshops. Several of us ‘7 Palettes’ have been sharing new color mixing techniques this week. Here’s what I passed along from the fabulous Terry Miura workshop my sister Ceci and I attended awhile back.
Here’s a glimpse of Terry’s palette:
Terry Miura’s Limited Palette
And here are insights about painting the figure using a limited earth-tone palette:
Here’s Terry’s beautiful twenty minute demo!
Terry’s nude.
I’ve done a few iPad images lately — good fun while sitting around at night. I just finished a drawing with the ArtRage pencil tool of a sprinkle of fairy lilies against a background clump of ornamental grasses.
Fairy Lilies, original iPad painting, 2013, 1:1 aspect ratio
And I also had fun doing a more stylized rendition of Pat’s scarecrow standing in our garden, stopping passersby with its cuteness, but doing nothing to deter the critters from eating our veggies. Pat actually built this wooden adjustable man, based on one our son Sam had seen in a magazine and really wanted. Sam enjoyed it for years and then Will inherited it. Pat has now re-clothed it in his old duds for scarecrow duty.
And I did a quick wild fun sketch of the ballpark when Pat and I went to an Oriole’s game in Baltimore last weekend.
The next (huge) task in painting my Dad’s portrait was to meld the many photographic references into a single coherent whole. I needed to get the head, arms, torso orientation all into similar sizes and then try to get them to connect to each other in a reasonable way. If I were a better Photoshop practitioner, this might have been a snap. But my attempts were so lame that I seriously considered resorting to cut and paste.
Here are a few of my horrible Photoshop mashups, along with my much more useful iPad sketches.
