I came across a photo I took some years ago in Cuba and it made me smile. Pulled out my gouache set and took a stab. It turned out too precise, but I’ll try to be looser next time. It was fun anyway.
With my painting buddies, the Seven Palettes, I was to mount an exhibition a year ago at Oasis Gallery, Westfield Montgomery Mall, Bethesda, MD. Covid killed that so we got to work and ‘hung’ a digital exhibit online. Here’s one of the gouache paintings I had done for that show. It’s a bit too literal, but I figured some mother or grandmother might like it!
In the most recent session with Bernie Dellario, my ‘7 Palettes’ buddies, sister Ceci and a few other folks, we made speedy, simplified interpretations of several Old Master paintings. With a limited palette of the 3 primary colors and about 20-30 minutes each, I painted these images :
A figurative, after the nude Venus of Urbino, painted by Titian (1538); a floral, after a magnificent bouquet by van Veerendael (1662); and a quick gouache study of Madonna and Child, after a beautiful one by Bellini (1510).
I’m currently taking a class on mixed media and was intrigued when teacher Susan Hostetler mentioned “mock frescoes”, made by painting gouache into still-damp spackle or joint compound slathered onto cardboard or other heavy substrate. I decided to try it. My first attempt was a simplistic sugar bowl sitting on our kitchen table. My quick contour was misshapen, so I touched it up with some water-soluble pencils, moistening the marks to blend them into the gouache.
I then plopped down a seashell (interesting shape though dull colors) and tried again. I was happier with that one, though disappointed when a little flake popped out sometime later. Maybe a fixative would deter this type of defect — will have to research it. . . .
After painting that cauliflower a few days ago, I started regretting that my collector had selected my dinky mushrooms as part of her four-veggie series for the kitchen. I decided to do a more ‘fulsome’ substitute for her consideration — celery! Here it is. She’s happily taking it instead of the ‘shrooms!
Celery. Watercolor and gouache on paper. 11″ x 14″
Celery Painting and Subject.
One of my collectors has bought three of the veggie watercolors I painted last year as a consequence of a workshop with Wendy Artin. And she wants a fourth so she can group them in her kitchen. What to do? A pretty cauliflower was in our fridge so this is how I spent my evening in front of the TV. . . .
I made a few mistakes since I was painting it direct — without a pencil sketch, as Wendy had taught. So I resorted to a bit of gouache so I wouldn’t have to start over!!
In developing some PR for the just-ended Labor Day exhibits, I pulled out a photo of one of my earliest gouaches. Made on black paper at the suggestion of Yellow Barn teacher, Walt Bartman, I incorporated the paper’s rich black for the composition’s dark values — also his suggestion. I loved the outcome. Here it is.
Blue Girl, gouache on paper.
When I did the painting of grandson Max for yesterday’s post, I had intended to do the same thing, but wimped out in the end — not wanting a lot of black on a sweet baby’s face. I’m going to try again on my next gouache, but the restraint needed to achieve the simplicity of black shadows, etc. is hard hard hard.
I’ve been pondering making a series of gouaches about my family. As the ‘About’ section suggests, there is LOTS of material. My husband and I will head to California soon to help celebrate our grandson’s first birthday. So I decided to make Family No. 1 a study of Max on his original ‘birth day’.
Family No. 1 (Max, Day 1). Gouache on paper.
The Kensington Armory/Town Hall is the site of my third show over Labor Day weekend. The hours are noon to 4 pm Saturday and Sunday, and 9:30 am to 4:30 pm on Labor Day. There will be a public reception Saturday evening from 6:00-7:30 pm.
For this exhibit, I plan to hang four framed paintings and show 10-12 matted originals and possibly prints of recent iPad images in a nearby rack. The slide show below gives a sense of these works — but they look much better ‘in person’. Come see them!
We had beautiful days in Vinales, sunrise to sunset. I took lots of photos and, while waiting for evening activities, made a couple more paintings. A gouache of the valley below our balcony (the black paper didn’t photograph well):
‘Gauzy’ gouache of the valley beneath our balcony.
and a watercolor of a lone palm tree presiding over the pool (painted happily with a Mojito at my elbow):
A proud palm by the pool at Los Jazmines,Vinales.
Here are a few more photos in and around Los Jazmines Hotel, made primarily to fix the place and its beauties in my memories:
Early sunrise at Los Jazmines.
Tobacco barn underway in the valley.
The cozy cafe-bar in the hotel.
We DID drink coffee in addition to plentiful Mojitos!
Pink hotel and blue pool made a cool combo.
A casual evening around the pool.
We sigh and snap a photo of our last Vinales sunset.
We pass a ‘colorful’ mural en route to the morning bus.
Goodbye, Vinales! Goodbye, Los Jazmines! On to Havana!