Over the last six months, I’ve been zoom-studying with artists otherwise out of reach. Here’s the final project of a recent class with Ed Praybe — a composite of several separate images arranged into relatively natural composition. It is based on an image of my mother Annette, taken in her twenties, a photo of my six sisters and me, taken years later as a reference for a group portrait lost in Hurricane Katrina; and several photos of our Biloxi home, also later destroyed by Katrina.
To make it work, I had to adjust the relative scales of the elements and imagine a consistent light source across the whole scene. . .
The final image:
![](https://i0.wp.com/www.maureenward.com/wp-content/uploads/2022/02/comp.jpg?resize=625%2C451&ssl=1)
The 4 images that provided the underpinnings of the composition:
![](https://i0.wp.com/www.maureenward.com/wp-content/uploads/2022/02/Pix-of-AOK-8.jpg?resize=625%2C784&ssl=1)
![](https://i0.wp.com/www.maureenward.com/wp-content/uploads/2022/02/IMG_8428.jpg?resize=625%2C501&ssl=1)
![](https://i0.wp.com/www.maureenward.com/wp-content/uploads/2022/02/image35.jpg?resize=625%2C624&ssl=1)
![](https://i0.wp.com/www.maureenward.com/wp-content/uploads/2022/02/posing-for-painting-1.jpg?resize=625%2C426&ssl=1)